Towards A Healthy Economy + Marketing World

It can be hard work locating the perfect field of poppies in front of the perfect view of a Tuscan town. You think it might just be easier to slap in a field of poppies on your computer at home later. Well, these days it is a viable alternative, one much used in the professional photography world, but if you’re going to do it well, there is still a lot of work involved.

This time you are going to need to find two shots: one of the view of your chosen town in Tuscany, ideally with a nicely defined hill curving gently in the foreground, which will be filled with poppies digitally later; the other the poppy field itself in a similar light to your first picture and on a similarly contoured hill or field. A flat field of poppies stuck onto a hill shaped foreground is just going to look like a collage. So no escape from the driving around Tuscany searching for the perfect shot then.

Just as well that it is more of a joy than a punishment to potter along the winding roads between such jewels as Pienza and Montepulciano, San Quirico d’Orcia and Montalcino, you don’t even need the excuse of photography. Get a friend to drive so that you don’t end up in the ditch, craning to get a better view of Monte Amiata, my favourite mountain, or of the towers of Siena in the distance. A detailed map will help you explore the strada bianca (dirt roads), but they are not always completely accurate, so be prepared to head off into the unknown and turn back at a dead end - all part of the adventure. The magic of Tuscany is the unexpected view, a hidden crumbling brick farmhouse with cypress trees, a perfect field of poppies.

You’ve located your shots of your background town and your foreground poppies. Take a lot of permutations of the same shot: different depths of field, different points of focus, different angles, different light situations, and bracket, bracket, bracket your exposures. The beauty of digital is that you don’t have film costs to worry about. Return to the same place at a different time of day to get a different angle of sunlight on your poppies. You need a large choice of shots to play with when you get home to your computer. Once home you can’t re-shoot, you have to work with the material you’ve already collected.

Now, after downloading the images, backing them up on DVD or an external hard drive, you have hours of fun ahead of you, selecting the images to work with and then juxtaposing them perfectly and seamlessly to create the ultimate illusion, that looks effortless. Only you have the satisfaction of knowing how much work went into creating the perfect photograph of Poppies in Tuscany.

Kit Heathcock copyright 2006

Kit Heathcock - worked and travelled in Italy for many years, is passionate about food and loves being a fulltime mother. Co-creator of A Flower Gallery home of original flower pictures and Food and Family!

One of the best things about digital photography is that you can share your shots with anyone thanks to the availability of the Internet and e-mail.

The way that we “share” these photos depends upon the e-mail services and software that is available to us. While the process is pretty much the same for all programs, there are a few variances which can trip up the new user. If you don’t have experience sending photos by email, this article is for you.

Using common e-mail programs to send photos

To attach a photo using Outlook or Outlook Express

1. Click New and complete the standard “To”, “Subject” and “Message” fields as usual.

2. Click the “Insert File” button (paper clip icon) and locate the image or images that you want to attach.

3. To add one one image, click the file name and click the “Insert” button. To add multiple images, press and hold the Ctrl key while clicking.

4. Click Send and your photos will be on their way.

In Netscape Mail:

1. Click New Message and complete the standard “To”, “Subject” and “Message” fields as usual.

2. For Netscape 5 or lower, Click the Attach button. For Netscape 6 or higher, click in the empty Attachments box.

3. Select your file using the “Enter Files To Attach” selection box and then click “Open”. Repeat this process to attach multiple files.

4. Click Send and your photos will be on their way.

Using AOL:

1. Log in and navigate to the Mail Center.

2. Click on the “Mail Center” button and then click the “Write Mail” button.

3. Click the “Attach” button.

4. An “Attach” window opens. Click on the “Attach Button” in that window.

5. Click on the arrow at the right and select the drive letter where your images resides, Then navigate to the folder that contains your image and click.

6. Select the photo that you want to send and click on the “Open” button. Once the images attaches itself, click “OK”.

7. Send your email message as normal.

Taking Advantage of Windows XP

If you’re running Windows XP (and you are not using AOL), then you can use its built-in photo compression and mailing feature. It will save you a lot of steps and it’s foolproof. Here’s how to do it.

1. Navigate to folder where the images reside.

2. Select the image you want to send by left clicking on it once. If you want to select multiple images then hold down the CTRL key while clicking on each file name. Release the CTRL key when through.

3. Right-click on one of the selected file names and choose the “Send To” menu choice from the context menu.

4. Select “Mail Recipient” from the sub menu.

5. Your default email client will open with a new message created and the image already attached. Simply complete the “To”, “Subject” and message fields and send as usual.

A photo buyer calls for a picture of pigs. It could be about anything. A hundred responses go online and one lucky so-and-so gets the sale. That’s 99 pictures deemed to be second, and that’s no good in any race.

So, what is it about that winning picture that produced a sale? It may good lighting, it may be striking content… but hey, all the pictures submitted were about the same topic, so eliminate that one. Let’s face it, there could be a million reasons for the selection of that winner, but there isn’t!!

The winning shot is unusual. It’s different from the rest. It’s got something the others just don’t have. It’s got oomph. It’s got pizzazz. Call it what you will’ it’s got that winning streak that just knocks spots of the competition. It has? Well what the heck is it? Tell me, and we’ll bottle it.

It might be stunning exposure. Well it might. That certainly helps. In fact, exposure IS a factor, it must be spot on. However, that’s not the killer factor. Picture researchers, editors and publishers don’t set out to look for stunning exposures. No. That’s not it. There is something else, an elusive factor that underpins every sellable photo. It’s not something you can find by playing blind man’s bluff either. If you want to sell photos You have to recognize it, pursue it, capture it, master it and make it work for you.

It there for all to see in practically every photo that sells and yet most people and even many photographers just don’t see it. How can something so obvious be invisible to a creative eye? It’s a mystery. I don’t understand it. When I look at the range of submissions for any photo request, my heart sinks. Most photos betray a complete absence of this elusive essential quality. They are duff!

Shots taken so far away from the subject that life-size objects are mere pimples. Boring views that have 5% coverage of the intended and desired theme. Constant repetition of the same unimaginative angle. Yes, you’ve guessed it. I’m talking about composition.

If you want to sell photos, for pity’s sake THINK about what you shoot. The first angle of view MAY be the best one, but I doubt it. The old gunfighter adage ..no matter how fast your are…seems to apply to photography also.

Stalk around your intended subject, look at it from all angles, make mental photos before committing one to film or digital memory, as the case may be. Don’t TAKE pictures MAKE them. Fill the screen with powerful compelling artwork. Look for interesting shapes, textures, colours in the most fascinating combination possible, given the lighting conditions and your time constraints.

How you compose your photo says everything about you, so train your eye and mind to maximise your artistic ability. When you shoot in pursuit of beauty, you fulfil yourself. When called upon to make pictures of mundane everyday scenes, you will bring a eagle eye to scour the most pleasing elements of vision and combine them in a most powerful way. You will always be an unpredictable photographer who can capture unusual shots.

Shed the snakeskin of normality and kick out the usual suspects in favour of the racy, the dangerous, the exciting and discover how to enjoy your using your camera, finding the unusual angles and great whacking compositions that draw photo-buyers to you like flies to a honey pot.

You just can’t achieve that by shooting the same stuff as the average Joe. Be a special Joe! Be successful and you’ll sell your photos with ease.

About The Author

One of a series of articles by Robert Hartness, successful freelance and author of an hot-linked, flip-over, e-book, published on the web in October 2004. It offers a step-by-step guide to those on the threshold of freelance photography and is illustrated with 40+ published photographs. Acclaimed as a great reference source for serious freelancers. More information and order link - http://www.cashfromyourcamera.com

Take a photograph that is set up perfectly, composition, lighting, scale, its all right. You take the shot and feel pleased with the outcome, but how much personal emotion went into the shot?

This is a question you should ask yourself every time you press the shutter down.
For human emotion is a powerful tool to equip your images with. It avoids images
taken without reason or understanding. It evokes feelings and emotions within the
viewer of the photograph, and it gives the image a much greater level of meaning.

As a nature photographer, any image I take has been the result of an instinctive feel
for the environment being shot. We all know that feeling you get when you reach
the summit of a mountain, or when you step into the warm sea for the first time.
Something within gives you a great satisfaction, a buzz that you cannot keep hold
off. How incredible would it be to find a photograph that could capture that feeling
and record it within an image? An image that unleashes these very emotions when
viewed. This however is no easy task. It requires a photographer that is sensitive to
their surroundings and understating of their subject. The images do not require
being laboured over, for it should be instinctive, driven by the emotion of the taker.
If it feels right, take the shot.

Of course, not everyone will see in an image what you see, and will not feel what
you feel. This is unavoidable, but you do take away some of the static feel that can
suffocate a photograph. Make your photos exciting, make them feel alive, make
them look real, and most of all, equip them with emotions.

John Threlfall is a self-taught photographer with a deep passion for nature
photography. With an upbringing in the countryside, John strives to capture his
feelings and emotions within his images. John has a Masters
Degree in ‘Creative Imaging’. His work can be viewed at http://www.capturednature.com
The images capture the pure simplistic, yet breathtaking beauty that is hidden away
in rural Britain.

One of the biggest debates in the photography world is whether digital cameras are better or film cameras better? The answer to this question cannot be answered in a simple yes or no. There are several issues which need to be considered while answering this question.

To make things simple and without getting too technical, the major benefits of using a digital camera is that it is cheap and fast. There is no cost involved in clicking digital photographs as compared to film cameras. Also, you can preview the pictures before choosing to print them; hence there is little/no wastage of snaps involved.

However, for traditional users, a digital camera is not such an easy gadget to use. One does not only need to learn how to use a digital camera but he/she also needs to gain mastery over the computer. This can get to be a little difficult for those who are computer-averse.

As far as image quality is concerned, there are four major factors – picture resolution, presence of noise/grain in cameras, dynamic range and the color quality of the image.

Resolution, in photography language, means the sharpness and the visibility of the image. In this area, the film camera definitely wins since nearly a 6 mega pixel camera is needed to match a 35mm film camera.

Noise/grain refers to the amount of grains which appears in cameras. Digital cameras are extremely sophisticated in this aspect in comparison to film cameras and the level of noise/grain appearance is much lower.

The dynamic range is one of the main weaknesses of a digital camera. The range of a digital camera largely gets affected in contrasting light and normally occurs in the form of white highlights in the image. But some of the latest digital technologies are trying to eliminate this problem in digital photography.

Color quality in digital photographs is much, much better than those images which are taken from film cameras. The pictures are much sharper, brighter, and more vivid and tend to have a three-dimensional quality – which is very difficult to obtain in prints from film cameras.

Thus, overall, both the digital and the film camera have their own advantages and disadvantages. It depends on the user and his personal preferences to choose one over the other.

If you are an average, computer-friendly individual who uses the camera for taking pictures of your family, then a digital camera is recommended due to its lower price and greater convenience.

However, if you are an avid photographer, then it is best that you master both technologies. Since, as the future unfolds, it will be necessary for all to know how to use a digital camera with expertise.

Kevin Rockwell worked as a network TV cameraman for 20 years shooting news and sports. Now a devoted fan of digital photography and video he works to gather information, tips and news for digital camera users. Oh and he loves to shoot pictures of his kids playing sports.
http://www.great-digital-cameras.com/gdcj.html

Quite often I will have clients bring in old photographs of their “elder” relatives that were taken before colour photography was around.

This generally means that the photos in question are either black and white or, in many cases, the photos have been tinted, usually a muddy brown colour better known as Sepia.

Some clients will ask for their restored photos to be produced in pure black and white even though the original is in Sepia.

Others will ask me to retain the warm Sepia tone and in fact there are some clients who bring in old black and white prints who ask that we produce a Sepia toned restored version because they like the “old world” feel that a Sepia toned print gives.

Not only can you create a Sepia print from your old black and white photographs, but it is just as easy to create that “old world” feel from a colour photograph as well.

The example image on our web-site is a simple colour floral arrangement which we will apply a Sepia tone to using Adobe Photoshop CS.

Step 1

After opening the image up in Adobe Photoshop CS, the first step is to remove all of the colour information from the image by choosing Image-> Mode-> Greyscale.

All of the colour information will have been removed leaving you with a pleasing black and white photograph with, hopefully, a full range of tones from pure white to pure black.

Step 2

If your image appears a little flat, or is too dark or light, then use the Image->Adjustment->Levels command to “tweak” the left and right sliders below the histogram (looks like a black “mountain range”) to get the desired result prior to toning.

Step 3

Because we set the image “mode” to Greyscale in the previous step we do not have the ability to re-apply any “colour tinting” while the image is left as is.

So the next step is to select Image-> Mode-> Duotone.

Step 4

This is where the fun really begins …

Make sure the upper left “Type” option pull-down is set to “Duotone”.

This will activate Inks 1 and 2 field entries.

Step 5

You will now be able to select two colours (hence the term “duotone”) which will then be applied to your photo to produce the toned effect we are looking for.

Click on Ink 1’s colour swatch and select a “black” colour of your choosing.

I generally set Ink 1 to “PANTONE Black C”.

Step 6

Now click on Ink 2’s colour swatch and select a “warm reddish brown” colour of your choosing.

I generally set Ink 2 to “PANTONE 145 C” (which looks like a nice “warm mustard brown” to me), but you can select any brown (or in fact any colour at all) and watch what effect a particular colour has on toning your photo.

As you will see we have been able to turn a colour photo into a very pleasing Sepia toned print in less than five minutes using the “Duotone” feature in Photoshop.

But we are not quite finished yet …

As you have seen you have total control of the tone colour by changing the value of the Ink 2 setting.

What if the tone colour is correct but the photo is still too dark or too light and/or flat?

Step 7

You can fine tune the final result by applying a “Hue/Saturation” adjustment layer.

You will notice that if you try to add a “Hue/Saturation” adjustment layer to your duotone print it is “greyed out”.

You now need to revert back to a mode of “RGB Colour” by selecting Image-> Mode-> RGB Color.

You will then be able to add a “Hue/Saturation” adjustment layer and make final adjustments to the overall appearance of your Sepia tone print.

By the way … Want to know where the term Sepia comes from?

Sepia comes from the Greek word for the rich reddish-brown pigment obtained from a fluid that is secreted by the cuttlefish from their ink sac.

The cuttlefish is a relative of the squid and octopus family (cephalopods).

If you find the steps being taken are a little hard to understand in this text based article, you can click on the link at the end of this article to see the same method explained on our website with the aid of example graphical images.

© Gary Wilkinson 2005 - All Rights Reserved

You can see this method complete with example images at Sepia Tone Prints from Colour or Black and White Photos

Feel free to re-print this article provided that all hyperlinks and author biography are retained as-is.

Gary Wilkinson is a photographer, photographic restorer and the owner of a photographic retail business. He is also the publisher of the http://www.restoring-photos-made-easy.com website, where other methods of correcting common photographic restoration problems are discussed.

Anyone with the ability to use a camera correctly has the potential to sell their images. Picture agencies handle images of every subject and are always looking for emerging talent.

Pictures libraries and stock agencies are in the business of selling images. The don’t give you advice on how to take better images. Their purpose is business - they sell images to magazines, book publishers, the travel industry and many other industries that use images.

Many photographers look upon agencies as a last resort to sell their work; if you have been unable to sell any of your images, the chances are that most agencies won’t accept them.

If you are interested in an agency selling your images, you must be able to produce high quality images which are suited to the agencies market. Check out their website to view samples that are currently in use.
If you feel your work meets their standards and suits their customers - then approach them by e-mail or by standard mail.

But, before placing your work at an agency make a short-list of the agencies that seem to suit your work. Contact each agency outlining your work and which magazines have already published your images. If an agency is then interested they will ask you to send them samples.

If an agency accepts your work, don’t take this as a guarantee that your images will sell.

Don’t approach an agency until you have a large collection of images. Minimum first submissions can consist of anything from 50 images to 500 and regular submissions are normally required thereafter. Most agencies work on a commission basis - 50 % being the standard rate. If an image sells for two hundred euro - the photographer receives a one hundred euro fee.

When an agency takes on a photographer’s work, they normally require a four or five year retention period. Agencies normally sell the reproduction rights of a pictures - the image being licensed to a buyer for a specified purpose.

It may take as long as six months before an agency sells a picture belonging to you. First they need to scan your images if they are submitted by film; then they need to contact their clients and let them know that there is new material available - all of this takes time, so you must look at supplying a picture agency as a long term investment. It is only when you have several hundred images placed in a library that you’ll start to see regular sales.

Remember: agencies can’t sell images if there isn’t a market for them and placing images at an agency does not guarantee you sales.

TJ Tierney is an award winning Irish Landscape photographer and a freelance writer. If you are looking for some photo tips visit the photography directory he frequently writes for: http://www.goldprints.com To view some of his images visit his on line gallery @ http://www.goldenirishlight.com

The definition of fine art, as defined by the Merriam-Webster dictionary, is “art concerned primarily with the creation of beautiful objects”. With such a “wide” definition of “beautiful objects”, the beauty is in the eyes of the photographer. Virtually anything can be fine art, a simple household item such as a fork, a nude body, travel, landscape, wildlife, a landscape. Not everyone will agree on what constitutes fine art, many years ago I was awed by the sight of the Sydney Opera House, and thought it was the most beautiful building In Australia. However I remember thinking that it perfectly complemented Australia, it would look pretty silly in the centre of Madrid. However if you don’t like the Sydney Opera House, then it does not matter how great the photo you are not going to like it. So whatever constitutes Fine Art photography is a pretty subjective decision.
School of Photography give you a good idea of what will constitute in their view Fine Art photography.

For many photographers this is an ideal line of work, because it allows you to represent a part of your personality, through your work. It is possible to make a political statement by being a fine arts photographer. A clear analogy here would be the emergence of the acceptance of the gay male in photography, over the last thirty years. In it’s wide ranging definition it is possible to be more creative, and in this creativity be more personal.

There are a lot of resources on the Web regarding fine art. One of the better ones concerning resources and links is http://art-support.com/links.htm There are excellent links to photographers’ web sites, as well as grants available to the photographer. Because the definition of Fine Art photography is so wide, it has perhaps a more specific marketing need. Fortunately there are more ways to market them than just stock photographic galleries It may be advantageous for you to think about engaging the services of a full time sales representative. A sales representative will work with clients in the advertisement industry, the travel industry, and also graphic design firms. The advantage of employing a sales rep is that it leaves you free to create without the hassle of “cold selling”. If you are not a natural salesperson, it may be better for you to consider someone else doing the selling. That person should also be able to evaluate the true value of your work, be experienced enough to know where to get the prices, as well as having a proven track record in negotiating the best prices.

There are other advantages as well. Companies using a wide and diverse range of photographs, such as advertisement agencies, will have more time for a sales rep, who has a large portfolio of work, from different clients, than from one single photographer. By the nature of their work sales reps are normally found in larger cities and towns, they will have a large client base of their own, and will probably promote your work in specialised areas, such as food photographer, or portrait photographer. So how does the relationship work? Normally the sales rep will already have their own business, and they will work for you on a commission only basis. You will pay them approximately 30 percent of the assignment fee, that is the net fee, not the final figure with expenses added on.

How to work out if this relationship will be advantageous to you, balances many factors. If you have developed a highly personalised style as a photographer, then you need to target specific areas to sell the photographs. Perhaps you do not live in a large city and have the right contacts. You have already made a portfolio of work that you would like to specialise in. It may not be cheaper for you to hire a rep, because you may still have to advertise locally to maintain your own business that you have developed, but you are paying a rep on extra sales that you did not have before. It will certainly increase the profitability of your business if you have no time to devote to increasing the number of your clients.
You have decided that this path is for you, - how do you go about it.
One idea is to investigate the names of the best advertisement agencies nearest to you, your local reference library can be of assistance here, as can yellow pages. You can phone them direct and ask them the names and the contact numbers of their reps. The Writer’s Digest publish an annual “Photographer’s Market Book”, this book now lists photographic reps, and it will also help you market your work with lists of fine art reps, as well as galleries and stock agencies.

However you choose to market your business, the essence of what you need to do is to widen your client base. There is certainly more work in the marketing of certain photographs. However in today’s market place communication is as much as an art as creating the photographs. Not only is it important that you keep abreast with market trends, but you have to be in constant communication with your clients. Certain photographers’ enjoy the “Cut and Thrust” of aggressive marketing. If you don’t, then consider paying someone else to do it for you. Never underestimate the power of marketing, it is a very potent tool to help get your work shown to the people who are most likely to purchase it.

Do you really know as a photographer what you have to sell and it’s value. As a freelancer you can learn a great deal from advertising clients, They determine a niche for the product and then work on it’s development to promote it. A product is always promoted with a very specific client in mind. You must know your strengths as well as your weaknesses. For instance if you have a passion for taking seascapes, then it is pointless to advertise yourself as a portrait photographer. You need to find a way of getting your unique photographs to where they are going to maximise your profit.

Publisher & Author: Roy Barker. Roy specializes in profitable photography solutions for passionate and keen photographers. A whole world awaits keen eyes, imagination and some get up and go. Find out how you can easily expand your passion and skills in photography into a profitable career at http://www.art-photography-resource.com/

Digital cameras are quickly becoming more and more common in the home. Digital photography is almost as common as regular photography these days. They even have digital cameras built into pda’s and phones now. With the up-swing of the quality of digital photographs, and the increasing size of memory cards, it’s no wonder.

Just about every electronic and camera company has their own digital camera, HP, Nikon, Panasonic, Fuji, Kodak, Canon, Olympus, Casio, Sony, and many more, so it can be rather intimidating trying to find out which one to buy and what features to look for. While I don’t have the resources to give you in-depth reviews and ratings, I can run through the basic features to look for when purchasing a digital camera, and show you some great deals i’ve found.

Here is a brief run-down of the things we’ll cover:

Megapixels
Zoom

Features

What are Megapixels?

Digital cameras rate their size and quality in Megapixels. Basically, megapixels means, millions of pixels. If you have a 5 megapixel camera, that’s 5 million pixels. With a pixel being one single dot, you can start to see the point. The more dots you can have on a picture, the better quality you can acquire. Also, the more dots your picture has, the bigger it can be without losing picture quality.

I’m sure you’ve tried to stretch the size of an image file before, and found that it just gets blurry the bigger it gets. With high megapixels, you can have much larger pictures, without losing picture quality. The only real downside to this is that the more megapixels your picture is, the bigger the file size is. With extremely high quality pictures, you can fill up a memory stick very quickly.

What do the Zoom numbers mean on my Digital Camera?

The numbers on a zoom simply mean how many times closer the image appears. A 3x zoom would make a 30 foot object appear 10 feet away in the picture. There are typically two types of zooms on digital cameras, digital zoom and optical zoom. Optical is the normal lens zoom you’ll see with cameras that don’t have fixed lenses. You can zoom, focus, etc.

Digital on the other hand is the digital method of zooming, in which it takes your current picture through the lens, and crops it, then blows it up and interpolates the picture (meaning, it adjusts the quality so that your cropped image is not blurry). Some cameras can have both of these, and in most cases when you see a camera with both digital and optical zoom, it will lump the two together. For example, a camera might boast a 16x zoom, but really, it has an 8x optical zoom and an 8x digital zoom. Just something to pay attention to when shopping for digital cameras.

What kind of features should I look for in a Digital Camera?

Here is a list of the most common features that digital cameras may have:

LCD Screen - very nice for viewing your pictures while you take them

Memory Stick Slots - some cameras take multiple memory stick types, while others only use floppies, make sure you know what kind it supports

Memory Sticks Included - these can be expensive, so having one included can save you money

Rechargeable Battery - this can be very important if you use your camera a lot, make sure you know how long it lasts also

Battery Charger - if it comes with a rechargeable battery, it should also come with a charger, or else you’ll have to buy one

USB/Firewire - what method it uses to connect to your computer, make sure your computer supports it

Video Capturing - some cameras can take short video clips

Photo Effects - like black and white, sepia, negative, etc.

There are a lot more features to list, but I can’t take up the whole page to list them. Just make sure when you’re browsing for digital cameras, that you take a deeper look at everything you’re getting with it.

——————————-
This article taken from Computer Discounts Guide - Digital Camera Guide. View the website for more helpful guides.

Donny Duncan, the author of Computer Discounts Guide has been in the computer field for over thirteen years.

Some compact cameras are small enough to fit in your handbag or pocket, but I still recommend purchasing a camera case. It will save your camera from unnecessary wear and tear.

What do you put in your camera bag? I place my camera, spare batteries and memory cards, a cleaning kit and any extra lenses or filters I want to take on the day into my camera bag.

Don’t pack everything in your camera bag every time you go out to take photos. Travel as light as possible. Maybe purchase two camera bags - a large camera case and a smaller camera bag for those ‘pack light’ times.

Clean your camera bag occasionally. Dust can accumulate and could cause problems with your camera and equipment by accumulating on your lens.

Keep your camera away from luggage handlers! Most airlines allow one carry-on PLUS a personal item. A camera bag usually qualifies as your personal item.

What kinds of camera bags are there?

A weatherproof top loading shoulder camera bag is the best and most versatile option, because you can place the camera case on the ground and open the lid to retrieve your equipment.

The size of camera bag you purchase will depend on the size of your digital camera. If you have a larger camera with lots of accessories, consider purchasing a larger camera bag that has wheels. The wheels allow you to take your bag with you easily rather than lugging it around over your shoulder. Some bags with wheels can double as backpacks for when you’re hiking.

If your digital camera is a small pocket model, a fanny pack for just your camera will work really well. Keep the pack over your stomach (rather than your lower back) if you’re concerned about theft.

Purchasing a camera bag

When purchasing a new camera case, it’s important to note the following:

- Avoid brand name camera bags. If you have a more expensive camera, try to purchase a camera bag that does not LOOK like a camera bag. Thieves are always on the lookout for bags that look like they contain valuable equipment and nothing says ‘valuable inside’ more than a camera case with a camera maker’s brand plastered all around the outside. Purchase a camera case that’s a little less conspicuous - they’re usually less expensive as well.

- Think of the accessories you’ll place in a camera bag before purchasing. Do you have any other equipment (such as a card reader) you might want to take with your camera? What about accessories you are thinking about purchasing in the near future?

- A camera bag with moveable padded inserts will be more versatile than one without because you can customize the inside of the camera bag to your particular camera and accessories.

- Buy a camera case with lots of pockets and zippered compartments. This way, you can store used digital camera batteries in one pocket and unused batteries in another. The same with your memory cards… I label my pockets with labels like “Batteries - Used” so I can quickly find the correct pocket while out and about.

- Watch out for the prices of camera cases (and other accessories) when purchasing a camera case at the same time as your camera. Many retailers lower the price of their cameras to compete, and increase their accessory prices to compensate.

David Peterson has a great love of photography and has created a series of free tips at http://www.digital-photo-secrets.com/ to help digital photography users everywhere take better photos.